SKY HIGH – Sky High (Good Vibes, 1980)

 

Swedish vocals

International relevance: *

Guitarist Clas Yngström had been active since the early 70s and appeared on disc already in 1971 on Acke Gårdenäs's (Acke & Gurra) single ”There Is A Man In The Rain”. He joined forces with Dennis Huntington (Love Explosion) in political rock band Röda Ropet and appeared on their lone album ”Spänn bågen” in 1975. In the same year he took a real step forward as a guitarist with Soffgruppen who released their ”Greatest Sits”, one of the most forceful fusion jazz albums released in Sweden. He stayed with Soffgruppen for a couple of years, and following their demise, he started power trio Sky High in 1978. Starting out as a lingonberry version of Jimi Hendrix performing mostly his songs, they later turned into a lingonberry version of ZZ Top.

Sky High's first single was released by Sista Bussen in 1979, featuring completely pointless and more or less note-by-note covers of ”Red House” and ”Stone Free”. They then switched to Swedish vocals for a second Sista Bussen single, the anti nuclear power track ”Säj nej... till kärnkraft” backed with ”Säj ja... till livet”. The 'A' side was a translated Earl King cover while the flipside was a funky original track. The Hendrix influence is still evident, and Yngström really loves his own guitar wanking.

The eponymous debut album also appeared in shops in 1980. Only one Jimi cover, a translated version of ”I Don't Live Today”, but Yngström's own songs sound so much like Hendrix covers too that it's almost identity theft. Plus, he's a very nondescript singer. The only thing that gives this album some character is that all lyrics are in Swedish, something that would change already to the even more unlistenable second album ”Still Rockin'” from 1982.

”Sky High” was reissued on CD in 2005 with ”Red House” from the debut single plus both tracks from the second one as bonuses. Also added were two further provocatively redundant Hendrix covers (in English), ”Voodoo Chile (Slight Return)” and ”Little Wing”.

Full album playlist with bonus tracks 
"Stone Free"

LILLEMOR LIND – Hjortronblom och kärleksört (Proprius, 1978)

 

Swedish vocals, a capella
International relevance: **

Lillemor Lind is a Dalecarlian singer who made her debut on record on the ”Tjejclown” album in 1974. She wrote one of the songs on Lena Ekman's second album in 1980 and also contributed some recordings to a couple of folk albums around the same time. Her full length solo debut came with ”Så draga vi upp till Dalom igen”, with songs from her native Dalarna region, something she passionately researched beside her singing. Lind also had a thorough interest in foreign musics, particularly from Latin America, the Near East and the Balkans as reflected by the two Macedonian songs on ”Hjortronblom and kärleksört”. Both her albums were released through Proprius, known to blog readers from Leif Strands Kammarkör, Lena Granhagen and Elisabet Hermodsson, meaning they have a very particular ambience.

”Hjortronblom och kärleksört” is Lind's most interesting album thanks to the musicians involved. It features Arbete & Fritid key members Roland Keijser and Ove Karlsson, as well as fiddler Anders Rosén who made several albums with Keijser plus took a leading role on ”Sen dansar vi ut”. (A further Arbete & Fritid connection is Rolf Lundqvist who took the group photo on the album cover.) Also present are members from jazz outfit Opposite Corner.

The sound and the arrangements are wonderfully moody and the songs– both traditional and original – are beautiful and melancholy with a prominent archaic character. The main problem is Lillemor Lind herself. Her vocal style has a kind of preciosity to it, as if she was classically trained and had lost some touch with the vernacularity of the songs. It's not a constantly up front problem, but you can always sense it under the surface and now and then it comes through. That spoils it somewhat for me and I can't help but imagining what this would have been like had Marie Selander or Lena Ekman been in Lind's place. As it stands now, it's an intrinsically great album that never reaches its full potential.

Full album playlist