Swedish vocals
International relevance: ***
The very idea of a 'progg purist' is
contradictive as progg is so very multifaceted to its very nature,
but I suppose some wouldn't count Kräldjursanstalten as progg
enough, perhaps suggesting they were basically a punk band with odd
time signatures. This ambiguity only makes Kräldjursanstalten even
more interesting, suggesting a nebulous border area genre of sorts
along with bands like Unos Kanoner, Fiendens Musik, and the Älgarnas Trädgård/Anna Själv Tredje related Cosmic Overdose.
UK magazine The Wire probably came
closest to the truth when they claimed that Kräldjursanstalten is
the band best conjuring up the spirit of Captain Beefheart. Or, in the words of Beefheart biographer Mike Barnes: "Few have been able to harness the forces he unleashed and
decontextualize them into a new, individual take on his legacy – into
a new art-form. Sweden's astonishing Kräldjursanstalten [...] were an exception." Kräldjursanstalten's notion of rhythm was similar to Beefheart's,
like tossing the music into the air, capturing it on record just
before the pieces hit the ground and fell into their 'proper' place.
But make no mistake: They were one tight outfit and they knew exactly
what they were doing. (Other contemporary bands tried but failed,
like Mögel and Boojwah Kids.)
Early 80's radio show Ny Våg (”new
wave”) dedicated to punk and whatever music grew out of it
occasionally warped the airwaves with Kräldjursanstalten. Most
listeners couldn't stand them, except one who wrote a letter to the
show praising the band, saying ”they're so tight the drummer can't
keep up with them” (quoted from memory). A perfectly impossible and impossibly perfect
description of the band's sound.
The drummer in question was Michael
Maksymenko who later – appropriately enough – teamed up with John
French and Henry Kaiser in shortlived outfit Crazy Backwards
Alphabet. Maksymenko was also involved in different radio and
television productions, including the provocative mid 80's radio show
Studio Korrekt. Completing the Kräldjursanstalten line-up were
Agaton twin brothers Stefan (bass) and Thomas (guitar).
Their 1980 five track 12” debut ”Nu
är det allvar!!!” (subtitled ”Som ett fyllo i ett minfält”,
”like a drunk in a mine field”) is good, but fulfills their
potential only partly, as in standout tracks ”Det löser sig
atematiskt” and ”Fet och feg”. An unreleased Tonkraft show,
recorded in July 1980 six months after ”Nu är det allvar!!!”
confirms that Kräldjursanstalten got better fast. A further six
months on, their spastic, deconstructed/reconstructed music came into
full bloom with ”Voodoo Boogie”. ”Breda räfflade gummidäck”,
”Minst värst” and the title track squirt and jerk and skimp and
thump, chasing Captain Beefheart through the outskirts of rhythm,
occasionally even catching up with him in terms of energy and
complexity. It's easily one of the best Swedish albums of its era,
and one of the most intriguing. There's no other album quite like it,
i.e. unless you count ”Trout Mask Replica” and ”Lick My Decals
Off, Baby”.
Kräldjursanstalten even had the
coolest band name ever – ”The Reptile Asylum”. It sounds better
in Swedish but still, you just can't beat that.
Voodoo Boogie full album playlist
Nu är det allvar!!! full albumVoodoo Boogie full album playlist
Is this platter available on CD ? If yes...notifyme at napocamassa@yahoo.co.uk
ReplyDeleteIt was released on CD together with the EP in 1993, on Megaphone Records but as far as I know, that's the only existing CD release.
ReplyDeleteCan you give me a contact where I could purchase that.Thanks
ReplyDeleteSorry, I don't have any contacts with labels or retailers, but a Google search might turn up a copy.
ReplyDeletehttps://www.discogs.com/release/2654118-Kräldjursanstalten-Voodoo-Boogie-Nu-Är-Det-Allvar
ReplyDelete