To many, Rolf Wikström is the blues
king of Sweden. No matter what you think of him, you have to admit
his staying power. He has released numerous albums over the years,
the most recent one in 2011, and he's appeared on several more as a
studio musician, from the disastrous (Löpande Bandet's ”Nån gång
måste man landa”) to the brilliant (John Holm's ”Sordin”). His
first solo release was a 45 on the Tibet -46 label as Cool Hambone in
1972. His lyrics are sometimes on the political side.
Sjung svenska folk (Ljudspår, 1975)
Swedish vocals, instrumental
International relevance: ***
Swedish vocals, instrumental
International relevance: ***
Rolf Wikström's full length debut established his style which unfortunately also includes his vocals. While the music is OK blues in the Buddy Guy and Albert King vein, Wikström sings as if he had chewed up three pounds of chalk. His voice is so raspy it almost can't produce a sound other than a toneless screach. It's an exceedingly unpleasant experience listening to him. Would it have been better if was an instrumental album? Nope, because his guitar playing is too much as well.
Jävla måndag (MNW, 1978)
as Rolf Wikström's Hjärtslag
Swedish vocals
International relevance: ***
International relevance: ***
After an LP for the Alternativ label
(home of Kjell Höglund with whom Wikström performed on
”Baskervilles hund”), Wikström switched to MNW for ”Jävla
måndag”. It's a sometimes funky thing with powerful playing
courtesy of his backing band Hjärtslag, and again reminiscent of
Albert King. But, again, the album's seriously injured by Wikström's
voice that is unbearable. Pity, because this could have been a
rather decent album.
Den åttonde dagen (Metronome, 1979)
Swedish vocals
International relevance: **
What Wikström's voice doesn't ruin on
”Den åttonde dagen”, the limp funk/soul/disco moves do. Give it to someone you hate.
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