It probably says more about me than
about guitarist Coste Apetrea that the two Samla Mammas Manna albums
I like the best don't have him in the line-up, the one they did
before he joined the band, and ”Familjesprickor” by the Zamla
Mammaz Manna incarnation. Most people would say that the 1972-1976 is
their prime period and it's generally acknowledged as their most
classic era.
Måltid (Silence, 1973)
Instrumental
International relevance: ***
”Måltid” is the first album to
feature Apetrea, and needless to say it's a much different album to
the band's eponymous, guitarless debut. With Apetrea, the music lost
most of the mysterious aura that surrounds their maiden work. Instead
they developed their famed complexity and patented humour. Sometimes
it's far too much of that make-a-funny-face sing-with-a-silly-voice
thumbs-up tomfoolery. And sometimes, it's very good, as in "Folkvisa i morse". Often
within the same song. And that's why I find ”Måltid” so
frustrating to listen to.
Klossa knapitatet (Silence, 1974)
Instrumental
International relevance: ***
International relevance: ***
Coste Apetrea's influence on the band
was really beginning to show here. A greater amount of fusion was
beginning to creep into the slapstick music, with constant
time changes (”heh heh, funny, eh?”) and over-complex
compositions (”aren't we
clever, eh?”). I can't shake off the feeling that
they do it just because they can, to impress. It's peacock prog.
Again, some good moments but on the whole, well, juvenile really.
Snorungarnas symfoni (MNW, 1976)
as Gregory Allan FitzPatrick/Samla
Mammas Manna
Instrumental
International relevance: ***
Instrumental
International relevance: ***
Greg FitzPatrick wrote ”Snorungarnas
symfoni”, an extended work in four movements. Considering Samla
Mammas Manna's considerable skills, it was a natural thing to let
them perform it. Augmented by a horn section, they toured with
”Snorungarnas symfoni” and recorded it for MNW in 1976. Although
it has parts that allow Samla Mammas Manna to show off and despite
its grander scope, it's less overwrought and not as hysterical as
Samla's regular albums. The downside is that it's not imaginative
enough to warrant a 34 minutes playing time. Some parts could easily
have been cut down to make for an overall more effective piece.
After ”Snorungarnas symfoni”, Samla
Mammas Manna took a break during which Coste Apetrea left the band
(good riddance). Eino Haapala stepped in as his replacement, and the
band officially reformed as Zamla Mammaz Manna.
Måltid full album playlist
Klossa knapitatet full album playlist
Snorungarnas symfoni full album playlist
Måltid full album playlist
Klossa knapitatet full album playlist
Snorungarnas symfoni full album playlist
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