”Hypothesis” however is an unusually vital effort, displaying an openness that had been long lost. Allowing free form (”Duett”) and soul jazz (”Back-woods Song”) into the mix, as well as giving piano player Harald Svensson free reign over the self-explanatory track ”Piano”, and allowing dreamy moods into ”Curved Space” and the two versions of ”Here's That Rainy Day” certainly broadens the palette. Svensson might in fact be the real star here, adding a certain lyricism to the album.
”Bits & Pieces” was recorded with roughly the same line-up as ”Hypothesis”, but expanded with bassist Bronisław Suchanek, occasionally percussionist Malando Gassama and with Steve Dobrogosz on piano on some tracks. The album opens in a moody way with the beautiful ”Gloomy” which lives up to its title and followed by the almost ambient ”Islands”. The entire album is much more peaceful than its predecessor; only ”Castor And Pollux” and ”Carneval” heaten it up a bit. Which album you prefer at a given moment is a matter of mood. You could say that they are two sides of the same coin.
These are not my favourite Thelin
albums – I still prefer the noisy Thelin of the early 70's – but regarded in the jazz fusion context where they belong, these two discs are
head and shoulders above what the genre most often had to offer at
this late date.
Hypothesis full album
Bits & Pieces full album playlist
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