English vocals
International relevance: **
Poor Mendoza got away. Released a
couple of years too late, when music and aesthetics were already
beginning to change, ”Mendoza” never really got much of
attention. Today, it's a largely forgotten album. The fact that one
track was included in the ”Pregnant Rainbows for Colourblind
Dreamers” box set hasn't done much for establishing a Mendoza buzz
among fans and collectors. Perhaps its reputation of being a Latin
flavoured, Santana inspired record stands in the way as well. Perhaps
the name Mendoza inspired this reputation; Mendoza is a very common
family name in Latin America. Perhaps the album cover simply put
people off, being one of the ugliest to ever come out of a Swedish
printing press.
Now, the Latin influence has been
vastly overstated, so anyone allergic to Santana rhythms can stop
worry. I really don't know who started that rumour, but it seems that
those who have actually heard the album rather stick to hearsay rthan
listen to how the music actually sounds. While it does have some
Latin influences, most of the album is heavy pop rock with strong
melodies, excellent playing and soulful (but never overwrought)
vocals. There's flute, a bit of Lesley vocals, driving guitars, wah
wahs and loud pounding bass. Had it been released in the US or in
perhaps more fittingly in the UK in 1969, this would have been
heralded as an undisputed classic. But, as things went, this came out
in Sweden where Pugh had changed the language of rock lyrics to
Swedish, Fläsket Brinner pointed out new directions with their debut
album the previous year, and Mendoza were two years behind on Arbete
& Fritid's innovative blend of jazz, drone, folk and rock. Why
would anyone care about an album so blatantly advocating the sounds
of yesterday?
Forty years later, those things don't
matter. Today it stands out as an excellent piece of work. Hadn't it
been for the braindead cover of ”Jambalaya”, the only non
original track, there wouldn't have been a single inferior track on
this album. It might be that choosing ”Jambalaya” as the only 45
from ”Mendoza” killed the album completely. Very bad career move.
Opening cut ”Jojk” boils with
energy and enthusiasm, adding a folk element to the lush and
splendorous mix. ”Steamship” has a beautiful, catchy melody that
wouldn't have been out of place on a late 60's UK pop album classic.
”Hello, Hello” has the band in a slight progressive blues mood. ”A Sinful Man” is guitar heavy
prog-ish rock with vague hints at Spencer Davis chestnut ”Gimme
Some Lovin'”. ”Pregnant Rainbows” selection ”The Grateful
Salesman & Co” take fine use of the flute to lace an already
wonderful melody. And on it goes, with one brilliant track after the
other. Exclude ”Jambalaya” and you have an album that's a genuine
pleasure to listen to all through.
Based miles away from the big cities of
Sweden, in Linköping, Mendoza toured all the Nordic countries, Great Britain and
the Netherlands, to no avail. The album sank without a trace.
Whatever happened to the members is beyond my knowledge. Some of them had been in bands prior to Mendoza, such as Magazine Story which even had a single out, but as far as I
know, none of them turned up on another album after Mendoza. It's a sad story for
such a hugely talented band. This is a classic, it's just that no-one
seems to know it yet.
Jojk is amazing !
ReplyDeleteI love Summer Days, Winter Cold and Jojk x
ReplyDeleteI love Steamship, its my favourite
ReplyDeleteGreat album. Love it.
ReplyDeleteNice to hear! It's pretty impressive, isn't it?
ReplyDelete