Wednesday, December 30, 2020

HELA HUSET SKAKAR – Complete releases 1978-1982


Hela Huset Skakar (”the whole house is shaking”) is one of the bands bridging progg and punk, with sentiments from progg and an energy similar to that of punk. (Sometime member guitarist Guld-Lars were also in one of the foremost Swedish punk bands KSMB.) They originated from Huddinge outside Stockholm, and shared the devil-may-care attitude with two confrontative Uppsala bands, progg pioneers Gudibrallan, and Rävjunkin their punkiest mode. Given Hela Huset Skakar's rhythm & blues stylings, I hazard a guess that the early Stones and Huset contemporaries such as The Count Bishops and Eddie & The Hot Rods also were among their main influences.

Ingenting blir bättre av sej själv/Mammas städskåp
(Sista Bussen, 7”, 1978)
Swedish vocals
International relevance: **

Hela Huset Skakar's vinyl debut came in 1978 with 7” ”Ingenting blir bättre av sig själv” coupled with ”Mammas städskåp” on the Sista Bussen label. The 'A' side a prime example of their revved-up R&B featuring rock'n'roll infused sax playing and abundant sloppiness that works in their favour. ”Mammas städskåp” is equally great, similar to what I imagine what it would sound like if Philemon Arthur & The Dung were in fact an electric band trying out Them's garage chestnut ”Gloria” and getting it all wrong. A statement debut!

 
Ner med gud/Spring undan borgare
(Sista Bussen, 7”, 1979)
Swedish vocals
International relevance: **

The 1979 follow-up 45 is even more frantic than its predecessor. On ”Ner med gud”, their abrasive R&B is pushed further into mayhem with singer Lennart Markebo going beautifully over the edge in his disdain for God and religion. ”Spring undan borgare” is a similarly spiteful, sax-fuelled assault on right-wing politics, with an amphetamine-soaked wah wah guitar bursting out loud at the very end of the track. This is a seven inch fire bomb in the face of suppressing authorities, both mental and social.



Moralisk upplösning

(Sista Bussen, 1980)
Swedish vocals
International relevance: **

Hela Huset Skakar's sole LP ”Moralisk upplösning” was recorded around Christmas 1979, with additional sessions in June 1980. Parts of it were recorded live, and it shares the sleazy cheap studio/basement feel with the preceding singles. All new material with the exception of a re-recording of ”Ingenting blir bättre av sej själv”. Most it is in the same vein as the first two 45s, but they stretch out a bit on a couple of more proggish and/or pseudo-psychy tracks. Side B is the winner, as side A has a couple of lagging tracks in a 'funny pastiches' kind of style. But like I said, most of it is high-octane to-the-point kerosene-spitting hard-to-resist rhythm & blues that no matter what was the band's foremost trademark and ultimate strength.

Hos Ultra
(Sista Bussen, MC, 1982)
Swedish vocals, English vocals
International relevance: *

The final release to fit within the time frame of this blog is a cassette-only release recorded live at Ultrahuset, a legendary punk hangout where most punk bands (and quite a few others too) performed from 1980 to 1988 when the place closed. It was run by the legendary Tompa Eken who not only offered a stage for struggling underground bands, but also baked cinnamon buns for the bands and audience alike to enjoy. Those buns are as legendary as Ultrahuset and Tompa himself and a mandatory snack for anyone who visited Ultrahuset!

Hela Huset Skakar's performance on 14 March, 1982 isn't that great. While it retains their infamous energy, their repertoire was slowly developing in a not too successful way. As with several Swedish bands around this time, ska influences began to creep in through influential British 2-Tone bands like The Specials, The Selecter and early Madness. Some bands could deal with it without losing their impact, but in the case of Hela Huset Skakar, those influences didn't feel authentic enough to sit well with their original crunchy R&B sounds. Among the best tracks on this rough-sounding document are the final two. One is a cover of Lag & Ordning's ”Nynnat & sjungit”, while the other one is a sped-up by-the-throat assault on ”Summertime Blues”, much closer to Blue Cheer than Eddie Cochran.

Hela Huset Skakar contributed several exclusive tracks to a couple of various artists releases: three are found on the "302:an från Fullersta" LP in 1980, one on tape only release "Mediokra hjärnor" in 1982, and a further three 1982 live selections can be found on the "Ultra lever eller lajv" cassette. They released another live tape (recorded on several later Ultrahuset dates), one further 7” and the ”Lite till” 12” in 1984, all on Sista Bussen. There are also a handful of post 1982 recordings on other various artists comps. In 1995, a compilation CD simply entitled ”1978-1995” was released, and the band reappeared with a comeback album in 1997, ”Ännu mer”. They were also featured on Sista Bussen comp tape "Andlig spiz" in 1984. Interestingly enough, two Huset members – guitarist Christian Wigardt and drummer Håkan Persson – hosted the Swedish Radio show Ny våg (”new wave”, airing punk, new wave and art punk) in the late 70s and early 80s.

Sunday, December 27, 2020

THOMAS MUNCK – Parachute Man (Sonet, 1978)

English vocals
International relevance: - 
 
This is a massive turd, served on a mouldy plate. It doesn't actually belong here, wasn't it for ”Give Me Your Hand” and to some degree ”Got My Soul All Open” for their studio musician fringe progg shadings. ”Give Me Your Hand” isn't good but still the obvious standout track in this dubious collection, with its time signature changes and proggish guitar sound. ”Parachute Man” is mainly a pop album with some funk moves typical of its time. The pseudo funk is unfortunately so stiff and sexless that they make fucking Level 42 look like James Brown at his hard working sweatiest. Björn J:son Lindh appears on some tracks, as does Lasse Wellander on one. Have mercy on their souls.

In 1978, the same year that saw the release of this provocatively disgusting clunker, Thomas Munck – a singer as terrible as he is a songwriter – appeared in the Swedish Eurovision Song Contest with ”Nå't som gör dig glad”, meaning ”something that makes you happy”. The voting jury was less than happy though, with each jury member rewarding the song with the lowest possible points. But that's more than I give ”Parachute Man”.

(Please note that I never once called the album "Parashite Man" in this review.)

Full album playlist