Showing posts with label Carl Michael von Hausswolff. Show all posts
Showing posts with label Carl Michael von Hausswolff. Show all posts

Wednesday, July 30, 2025

HAUSSWOLF – Bark & is (Sista Bussen, 1980)

 
Swedish vocals, wordless vocals, spoken word
International relevance: *

Carl Michael von Hausswolf has been a driving force in Swedish underground culture for a long time, being a sound composer, visual artist and founder of one of the most important Swedish record labels in the 80s, Radium 226.05. His first appearance on record was as the bass player and guitarist on Claes Ekenstam & Sista Bandet's ”Sista tåget till Tasjkent” in 1979. His first solo album appeared as ”Bark & is” the following year featuring several Sista Bandet members.

The 'B' side points to his future of ambient tape compositions with the side long ”Is” (=”ice”). It does create some tension with chilly sounds, the spooky timbre of a zither, wailing free jazz sax and dead pan recitals of poetry, but it definitely overstays its welcome at 25 minutes. The first side is more rock oriented with traces of The Velvet Underground and the late 70s San Francisco scene with Chrome and MX-80 Sound. The noisy semi-psych tracks ”Forensisk buss” and ”Ljusa lockar” work fine but the most self-consciously affected bits are pretentious and pseudo-artistic in the same way that a lot of the period's industrial music is. Still an interesting historical artefact from a time when not a lot in this vein were made in Sweden – the closest might be parts of the much more improvised album by the mysterious Imp.Ink, also from 1980.

Carl Michael von Hausswolff is father of internationally acclaimed singer Anna von Hausswolff.

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Tuesday, July 31, 2018

CLAES EKENSTAM & SISTA BANDET – Sista tåget till Tasjkent (Sista Bussen, 1979)

Swedish vocals, spoken word
International relevance: **

A multifaceted album, ranging from Neil Young inspired rock (check out the guitar solo on ”Kicki!”), to singer/songwriter ballads, to folk, to reggae (the almost eerie ”Sista valsen”). Claes Ekenstam had his merits as a songwriter, but his overzealous and  histrionic bleating and the inclusion of several poem readings are distracting. Also, his lyrics are rather embarrasing from time to time verging on the pathetic which makes ”Sista tåget till Tasjkent” a frustrating listen.

The album was released on Sista Bussen, a Gothenburg label with both progg and punk connections. Back-up singer Håkan Forshult produced Blå Schäfer's 45 ”Sysselsättningen” for the same label. Per Giöbel played on several records over the years, including one by Motvind. Several of the players went on to make Hausswolff's album ”Bark & is” in 1980 – Carl Michael von Hausswolf himself became a well-known avantgarde artist and co-founded Radium 226.05, a hugely influential 80's label. Ekenstam himself appears to have left the music business after his sole album, but there's a noted psychotherapist by that name active in Borås not far from Gothenburg. Same guy?