The rarest ever Samla Mammas Manna
release, a cassette-only edition of 100 copies. Although it should be
said it's Samla Mammas Manna as a three-piece before they changed their name to Zamla Mammaz Manna, with Eino Haapala on
guitar, Hans Bruniusson on drums and Per Nordin on keyboards. That's
right, no Lars Hollmer.
The tape is a one-sided release (side
'B' is blank) with the 25 minute jam ”Den ovala metern” in rehearsal room audio. It's
better than the live portion of ”Schlagerns mystik/För äldre
nybegynnare”, but only just. The trio builds up a certain tension
during the first 5-6 minutes, but then it just drags on forever until
dissolving into nothing at around 15 minutes. Rare yes, but no loss.
Friday, September 21, 2018
SAMLA MAMMAS MANNA – Ur sync (Slask, MC 1988; recorded 1976)
KNÄCKEBRÖDERNA – Lyckosparken (MNW, 1976)
I can't decide whether this is supposed to be
a parody of or a tribute to Swedish rock singer/songwriter Ulf Lundell with the occasional stylistic dig at Anders F. Rönnblom or not. Not
that it matters – it doesn't get any better any which way I
look at it. I guess you could say it sounds like an uninspired
version of Blå Tåget – as it happens, Mats G. Bengtsson plays
keyboards on the album. Some bizarre touches such as 'psychedelic'
mouth harp on ”Till monarkomanin” and the sped up vocals on best
track ”Janson & von Hanzon”. Unless you consider Lennart
Holving's off-key vocals bizarre that is. I think they're just bad
like the album itself.
Precis som pärlemor
BLUESBLOCKET – Bluesblocket (Tredje Tåget, 1981)
No links found
Thursday, September 20, 2018
MONICA TÖRNELL – Jag är som jag är... (Philips, 1978) / Ingica Mångrind (Philips, 1979)
Swedish vocals
International relevance: **
After two English language albums, Monica Törnell returned to Swedish with ”Jag är som jag är...”, produced by Björn J:son Lindh and featuring Okay Temiz on percussion on ”Lotus och Casanova”. Some samba, some jazz, some fusion, some folk, some blues, all with the typical session musician sound of the day, clean and perfect and ultimately very dull.
International relevance: *
Törnell's last album of the decade is even worse than ”Jag är som jag är...” with too much production sheen and hopelessly lifeless perfomances. Worst of all is the Swedish Dylan cover of ”Like a Rolling Stone”, and the disastrous take on The Beatles' ”Drive My Car”.
ORIENTAL WIND – Bazaar (Sonet, 1981)
KEBNEKAJSE – Ljus från Afrika (Silence, 1976) / Elefanten (Silence, 1977)
Instrumental
International relevance: ***
Kebnekajse's last original album with Kenny Håkansson on guitar (and new drummer Åke Eriksson taking Pelle Ekman's place) is much closer to prog rock than what ”Ljus från Afrika” is. The African influence is kept to a minimum, but unfortunately, it has two horrible Mats Glenngård tracks pointing towards the style of ”Vi drar vidare”, ”Saab Mustang” and ”Grabbarnas afton”, totalling 18 painful minutes. Also, Håkansson must have caught the fusion virus on ”Elefantens strävan mot Nirvana”. Last track ”Halling från Ekshärad”, a traditional tune, is a throwback to Kebnekajse's folk rock years and is, after all, ”Elefanten's” high point.
Wednesday, September 19, 2018
VON ZAMLA – Zamlaranamma (Urspår, 1982)
Samla Mammas Manna's first 'Z incarnation' Zamla Mammaz Manna disbanded following the marvellous ”Familjesprickor” in 1980. The year after, Lars Hollmer and Eino Haapala formed the second 'Z incarnation', Von Zamla, and recorded this album in the autumn of 1981. Von Zamla continued up until 1984, and put out two albums before disbanding, this one and ”No Make Up!” (1983).
Like ”Familjesprickor”, the much more synthesizer heavy ”Zamlaranamma” sits firmly in the RIO category but lacks the powerful tension and brilliance. Most of this album sounds like Lars Hollmer's solo music but with a more serious approach. A lot of it sounds like a bit too intrusive background music to a TV series you're not sure if you like.The album's OK but a far cry from "Familjesprickor".






