Friday, September 21, 2018

SAMLA MAMMAS MANNA – Ur sync (Slask, MC 1988; recorded 1976)


Instrumental
International relevance: ***

The rarest ever Samla Mammas Manna release, a cassette-only edition of 100 copies. Although it should be said it's Samla Mammas Manna as a three-piece before they changed their name to Zamla Mammaz Manna, with Eino Haapala on guitar, Hans Bruniusson on drums and Per Nordin on keyboards. That's right, no Lars Hollmer.

The tape is a one-sided release (side 'B' is blank) with the 25 minute jam ”Den ovala metern” in rehearsal room audio. It's better than the live portion of ”Schlagerns mystik/För äldre nybegynnare”, but only just. The trio builds up a certain tension during the first 5-6 minutes, but then it just drags on forever until dissolving into nothing at around 15 minutes. Rare yes, but no loss. 

Full tape

KNÄCKEBRÖDERNA – Lyckosparken (MNW, 1976)


Swedish vocals
International relevance: **

I can't decide whether this is supposed to be a parody of or a tribute to Swedish rock singer/songwriter Ulf Lundell with the occasional stylistic dig at Anders F. Rönnblom or not. Not that it matters – it doesn't get any better any which way I look at it. I guess you could say it sounds like an uninspired version of Blå Tåget – as it happens, Mats G. Bengtsson plays keyboards on the album. Some bizarre touches such as 'psychedelic' mouth harp on ”Till monarkomanin” and the sped up vocals on best track ”Janson & von Hanzon”. Unless you consider Lennart Holving's off-key vocals bizarre that is. I think they're just bad like the album itself.

Precis som pärlemor

BLUESBLOCKET – Bluesblocket (Tredje Tåget, 1981)

Swedish vocals
International relevance: **

A blues band founded in Lund in 1980 by Mats Zetterberg, previously of progg/punk outfit Fiendens Musik. Bluesbocket's repertoire originally consisted of several John Mayall numbers translated into Swedish by Zetterberg. The band used two different guitar players, Mårten ”Micro” Tegnestam and Jan Gerfast who played on one side each on ”Bluesblocket”. A plethora of musicians has appeared with the band over the years, including Peps Persson.

Bluesblocket's only album hitherto came in 1981 with appealing tracks like ”Sovit så dåligt”, ”Vad är det för ett liv” and ”Du skriver och frågar”, but it's not in the same league as for instance Slim's Blues Gang and certainly not Peps Persson.

A rare blue vinyl edition of the album also exists.

The projected follow up 1985 album remains unreleased as a whole. A new album was however released in 2019, "Svart blues är ett vitt begrepp".

No links found

Thursday, September 20, 2018

MONICA TÖRNELL – Jag är som jag är... (Philips, 1978) / Ingica Mångrind (Philips, 1979)

Jag är som jag är... (Philips, 1978)
Swedish vocals
International relevance: **

After two English language albums, Monica Törnell returned to Swedish with ”Jag är som jag är...”, produced by Björn J:son Lindh and featuring Okay Temiz on percussion on ”Lotus och Casanova”. Some samba, some jazz, some fusion, some folk, some blues, all with the typical session musician sound of the day, clean and perfect and ultimately very dull.

”Progglådan” features a live show from around the time of ”Jag är som jag är”.

Ingica Mångrind (Philips, 1979)
Swedish vocals
International relevance: *

Törnell's last album of the decade is even worse than ”Jag är som jag är...” with too much production sheen and hopelessly lifeless perfomances. Worst of all is the Swedish Dylan cover of ”Like a Rolling Stone”, and the disastrous take on The Beatles' ”Drive My Car”. 

"Vita om hösten" from "Ingica Mångrind"

ORIENTAL WIND – Bazaar (Sonet, 1981)

Instrumental
International relevance: ***

This album is a bit different to Okay Temiz's excellent ”Oriental Wind”. Recorded four years later, this is a somewhat more fusion influenced with a greater emphasis on instrumental technique (hint: Janne Schaffer appears). Some parts are veering towards free jazz, and while that's nice and while ”Bazaar” is a pretty good album, it's a bit too flashy for my taste and doesn't grab me as much as ”Oriental Wind”. 

KEBNEKAJSE – Ljus från Afrika (Silence, 1976) / Elefanten (Silence, 1977)

Ljus från Afrika (Silence, 1976)
Instrumental, other languages
International relevance: **

The later Kebnekajse albums are largely ignored (the Kenny-less dung pile ”Vi drar vidare” should be ignored, with a vengeance). By the time of ”Ljus från Afrika”, they had moved away from the Swedish folk rock that brought them love and attention, and towards Africa as the title of this 1976 album declare, ”light from Africa”. I don't have a problem with that per se, but most of ”Ljus från Afrika” is too close to West African highlife music for me. However, it does have ”Tigerdans/Wind”, a Kenny Håkansson driven spaced-out track firmly rooted in the darker side of afro funk, and heavy rocking closing track ”Brudarnas parti” that is too good to be lost to oblivion. 

Elefanten (Silence, 1977)
Instrumental
International relevance: ***

Kebnekajse's last original album with Kenny Håkansson on guitar (and new drummer Åke Eriksson taking Pelle Ekman's place) is much closer to prog rock than what ”Ljus från Afrika” is. The African influence is kept to a minimum, but unfortunately, it has two horrible Mats Glenngård tracks pointing towards the style of ”Vi drar vidare”, ”Saab Mustang” and ”Grabbarnas afton”, totalling 18 painful minutes. Also, Håkansson must have caught the fusion virus on ”Elefantens strävan mot Nirvana”. Last track ”Halling från Ekshärad”, a traditional tune, is a throwback to Kebnekajse's folk rock years and is, after all, ”Elefanten's” high point.

”Elefanten” is the work of a band who wants to take their music further but without quite knowing where to go. The album does have its moments, but it would be a filthy lie to call it a Kebnekajse classic. It's a billion times better then ”Vi drar vidare” though...

A sleeve variation exist, with the 'J' in the band name being larger on some copies. 

Wednesday, September 19, 2018

VON ZAMLA – Zamlaranamma (Urspår, 1982)

Instrumental
International relevance: ***

Samla Mammas Manna's first 'Z incarnation' Zamla Mammaz Manna disbanded following the marvellous ”Familjesprickor” in 1980. The year after, Lars Hollmer and Eino Haapala formed the second 'Z incarnation', Von Zamla, and recorded this album in the autumn of 1981. Von Zamla continued up until 1984, and put out two albums before disbanding, this one and ”No Make Up!” (1983).

Like ”Familjesprickor”, the much more synthesizer heavy ”Zamlaranamma” sits firmly in the RIO category but lacks the powerful tension and brilliance. Most of this album sounds like Lars Hollmer's solo music but with a more serious approach. A lot of it sounds like a bit too intrusive background music to a TV series you're not sure if you like.The album's OK but a far cry from "Familjesprickor".

An album of previously unreleased 1983 Von Zamla live recordings, simply called "1983", was eventually released in 1999 on Cuneiform.

Full album