Se upp för livet (MNW, 1977)
Instrumental, Swedish vocals
International relevance: ***
One of Arbete & Fritid's weakest. Roland Keijser had left the band at
this point, taking most of the jazz with him, and leaving the
leadership to cellist Ove Karlsson under whose direction the band
took a step closer to rock, or at least rock related music.
The music on ”Se upp för livet” is
pretty diverse though, ranging from the plain bizarre (”Knoga och
knega” and ”Avdelning - indelning” ) to the downright spooky
(”Jag är inte som andra”), from the eerie opening drone of
”Födelsemusik” to the hard rock of ”Lev hårt - dö ung”
(sounding like a crossbreed of Nationalteatern and Gudibrallan). A
lot of the album sounds like a Thomas Mera Gartz solo album on one
hand and a Träd, Gräs & Stenar album on the other (Gartz and
Torbjörn Abelli appear on ”Se upp för livet”). The
atypicalities of the album might be explained by the fact the music
were made for an exhibition at Kulturhuset in Stockholm 1976, and
probably had to fit in with the exposition's concept. It would
probably have been a better album had it been trimmed down to a
single disc, but it's still worth having for the good bits.
Håll andan (MNW, 1979)
Instrumental, Swedish vocals
International relevamce: ***
The last album to be released by Arbete & Fritid is still stylistically sprawling but nevertheless a more cohesive effort than ”Se upp för livet”. Here you find the almost-punk burst of ”Jag föddes en dag”, the dreamy ”Dorisk dron”, the elevated jamming of ”Thulcandra”, and the experimental and slightly creepy ”Kalvdans”. I've always had a soft spot for this album and although it's not really comparable to the early Arbete & Fritid albums, it's certainly a recommended effort.
The ”1969-1979” CD comp, later
retitled ”Deep Woods”, features three good and otherwise
unavailable tracks from 1978. There's also a unique (albeit not very good) and still
unreleased Tonkraft show from December 1979 worth snooping around for by Arbete & Fritid
and Archimedes Badkar joining forces.
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