Turkish born but of Georgian descent, Zülfü Livaneli is a composer, author, poet and politican who made his album debut in 1973 with a selection of Turkish revolutionary songs. After being held in jail several times during the Turkish military memorandum in 1971, he went into exile in France, Greece, the U.S.A. and for a period in the mid 70s, also Stockholm, Sweden. Here he recorded two albums, plus contributing music for Bay Okan's 1975 movie ”The Bus” largely taking place in Sweden and featuring several Swedish actors.
The second
AV Elektronik session is similar to the first but has longer tracks
and no instrumentals. The dominating piece is ”Şeyh Bedrettin
Destanı”, the 14+ minutes track, almost symphonic in its
construction, that takes up most of side 2 and ends the album.
”Ballads Of The Thousand Bulls/Eşkiya Dünyaya Hükümdar Olmaz”
is an impressive work, but ”Merhaba” is even better. More
stringent, more focused with Livaneli's voice really to the fore
which can only be a wonderful thing. This music is humbling and
affective on such a deep level. This music is enchanted.
The release date of Bay "Tunç" Okan's movie about Turkish immigrants illegaly immigrating to Sweden varies depending on where you look. Some sources say 1974, others 1975. According to IMDb, the Swedish premiere was delayed until 1980. The soundtrack was probably released in 1977 with a reissue following in 1978, both times in Turkey only. Livaneli appears by his two first names Ömer Zülfü only in the songwriter's credits, but he shares the score with one C. Vason. One of two vocal tracks was even co-penned by Rolf Hammarlund of Bättre Lyss and Göran Lagerberg!
The most out of place inclusion is a track by Maria Johansson, better known as Maria på torget (Maria in the square). She was a well-known and annoying character in Stockholm in the 70s and 80s, performing religious songs in the city centre on her electric organ and singing with a cracked and creaky voice to every passer-by not asking for it.
Being a soundtrack, it's not meant as a cohesively constructed album and so it isn't. Livaneli's parts are the best, but some of Vason's easy listening styled contributions detract too much from the experimental nature of the best bits. So very uneven as a whole, but not without merits.
Ballads Of The Thousand Bulls full album playlist
Merhaba full album playlist
Otobüs full album playlist
No comments:
Post a Comment