International relevance: ***
Ranked #3 on the blog's Top 25 list
The beauty of Bo Hansson's solo debut
is unfathomable. Few albums are as evocative and visual as
”Sagan om ringen”. It's no wonder that Anders Lind founded
Silence for the simple reason of releasing it. (Gudibrallan's ”Uti
vår hage” was recorded earlier but released after ”Sagan om
ringen” was out.)
Based, of course, on J.R.R. Tolkien's
”Lord of the Rings” trilogy, Hansson's music takes my mind on a
much longer and a much more vivid journey through the fantastic and
the splendorous than Tolkien ever has and ever will. It's the sound
of one spectacular man's spectacular vision, so perfectly moulded
that it's impossible not to get carried away by it. So richly
textured that you could almost touch the sounds with your fingers,
smell the scents of that other
world he shows you through notes and timbres, hear the sounds that
will forever surprise your ears in utter wonder.
Hansson already used his Hammond organ
like a painting tool as one half of the psych prog jazz duo Hansson &
Karlsson, but compared to ”Sagan om ringen”, the Hansson &
Karlsson albums sound restricted and two dimensional. Here he opens
everything up to a dynamic experience of brooding darkness and
jubilant light.
So much has been written about this
album, so much has been said, so much love has been poured over it,
and still no-one has been able to fully explain its grandeur. Neither
have I. The only way to approach it properly is to listen to it, to
give in to it, to fall in love with it again and again and again.
This is a masterpiece of a magnificence that time can never diminish.
However, be aware of the different
versions of ”Sagan om ringen”. Its release history is a mess, but
I'll try to explain it to the best of my knowledge. Corrections/clarifications are
much welcome!
First Silence pressing with the first
and exclusive mix lacks ”En vandring i mörkret” and has no
musicians credits on the back cover. The 1971 reissue adds the
missing track, and has the credits, but is remixed. The international
versions retitled ”Music Inspired by Lord of the Rings” have track titles in English, and a
different cheesier cover that makes it look like rejected Genesis cover art. Some tracks are also shortened, and the album is remixed by Bo
Hansson himself. Subsequent releases have this version. International cover variations exist.
First Swedish CD release from 1988 has a new remix version of the album, adding unnecessary and bad reverb, plus bonus tracks from Hansson's subsequent albums, plus the worst cover version of them all. Later CD reissues have the 1988 mix, but also previously unreleased bonus tracks recorded around the same time as the original album, plus the original cover art.
Original international version
First Swedish CD release from 1988 has a new remix version of the album, adding unnecessary and bad reverb, plus bonus tracks from Hansson's subsequent albums, plus the worst cover version of them all. Later CD reissues have the 1988 mix, but also previously unreleased bonus tracks recorded around the same time as the original album, plus the original cover art.
1988 CD version
The 2018 Silence CD is a reissue of the
previous one including the unreleased track but with the
international 70's cover art scaled down to fit within a too large
and cheap looking frame.
The very first mix of the album is also missing "Skuggfaxe" and "Drömmar I Läkandets Hus". On the other hand it has some ambient sound effects of birds and insects on "Den Gamla Skogen/Tom Bombadil". These sounds are missing on all later versions. The 1972 version is in my opinion the definitive version of this classic, and was disappointed to find out that the new CD from 2018 still uses the 1988 mix.
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