Nature was an Örebro blues rock outfit
that evolved out of Blues Quality who made one album with blues and
reggae master Peps Persson. Harmonica player and singer Mats
Ronander's Hendrix styled vocals ais one of their foremost
characteristics, with his sidekick Lasse Wellander taking care of the
heavy guitar sound. Nature was often hired as a back-up band to
artists such as Pugh Rogefeldt and nationally successful
singer/songwriter acts Ulf Lundell and Ted Gärdestad. There are two
1972 Pugh 45's co-credited to Nature, and one Lundell album, ”Natten
hade varit mild och öm” released around the time of Nature's
demise in 1977.
NATURE – Nature (Gump, 1972)
English vocals, Swedish vocals
International relevance: ***
Mats Ronander's vocals
are too derivative and in your face, but that's not the only thing that makes this a pointless album. Nature's blues rock is pedestrian, dull and redundant. It
features both English and Swedish vocals, and partly because of the
Swedish lyrics, ”Den killen är en stjärna” sounds a bit like
power trio November. ”Nature” was produced by Pugh Rogefeldt who
worked for Metronome subsidiary Gump who released the album, which alone makes it an expensive item. But that's all there is to pay for: the label, not the music.
NATURE – Earthmover (Sonet, 1974)
English vocals, Swedish vocals
International relevance: ***
Their second album has a more luxurious
production with additional musicians like Björn J:son Lindh, sax
player Bernt Rosengren, pianist Alain Leroux and conga player Malando
Gassama expanding the sound. Thankfully Ronander had also toned down
some of his Hendrix complex which makes for more 'natural' sounding
vocals. But multiple session musicians and Claes af
Geijerstam's production Nature makes this an even weaker effort than their debut, and unnecessary cover
versions of Lovin' Spoonful's ”Summer in the City” and Dylan/The
Band's ”This Wheel's on Fire” certainly don't help. ”Earthmover” is overproduced
and too glossy. Best track is the instrumental ”Meating” which
sounds a bit like Kebnekajse with Gassama's congas a crucial element.
A couple of unreleased early 70's Nature radio sessions exist, and there's a 1972 recording with Dave Greenslade in ”Progglådan”.
LASSE WELLANDER – Electrocuted
(Sonet, 1976)
Instrumental
International relevance: ***
For his solo debut album, Wellander
went for ”Earthmover” producer Claes af Geijerstam to get the
desired sound. Geijerstam also plays guitar and adds some background
vocals on ”Electrocuted”, and other high level session musiciani including Wlodek Gulgowski and Tommy ”Slim” Borgudd appears as
well. Even UK keyboard player Dave Greenslade who Nature played with in 1972. Without a singer to balance the music, it's a guitar album
through and through. Wellander solos and solos and solos and solos,
and just in case, he overdubs himself so he can play solos twice or
more at the same time. Sometimes funky, sometimes bluesy, sometimes
semi-progressive, sometimes romantic, always boring. Best track is
the Kebnekajse pastiche ”Lingonskogen”.
WELLANDER & RONANDER – Wellander
& Ronander (Polar, 1978)
Swedish vocals, instrumental
International relevance: *
International relevance: *
After Nature's break-up, Lasse
Wellander again teamed up with Mats Ronander for an album, this time
released through ABBA's label Polar. Constipated blues rock, rheumatic
funk, thickheaded hard rock... As great as a heart attack.
Don't forget the archival 'Live 1972' release by Nature with Dave Greenslade issued by Belle Antique as part of their 'Legendary Swedish Radio Archives' series. Five lengthy tracks running to 40+ minutes. https://www.discogs.com/release/6316557-Nature-13-With-Dave-Greenslade-Live-1972 At the time of this recording keyboardist Dave Greenslade was newly parted from Colloseum & If, but had not yet formed Greenslade (the band).
ReplyDeleteIt's the same show as the one featured in Progglådan.
ReplyDelete