Monday, August 6, 2018

FLÄSKET BRINNER – Fläsket Brinner (Silence, 1971)

Instrumental 
International relevance: *** 

Ranked #4 on the blog's Top 25 list

One of those albums just about impossible to overestimate. From the first notes of ”Gånglåten” to the last ones of ”Musik från Liljevalchs”, this is progg perfection with everything you could possibly ask for: bittersweet folk harmonies, exemplary jazz influences, organic groove, powerful performances, excellent and perceptive playing that never overtakes the musical content, and instrumental as it is: no politics. And one of the most striking album covers ever. (Graphic artist Hans Esselius designed the cover, and alluding to the band's name – ”the pork is burning” – he actually used a real pig's head in real fire for the photograph.)

Fläsket Brinner attracted a multitude of top notch players over the years. Kenny Håkansson was with them for a short time (a line-up documented on double LP ”Festen på Gärdet”). Mikael Ramel joined the band in time for their second album ”Fläsket”. Their ever changing line-up featured Bo Hansson for a while. Jazz pianist Bobo Stenson used to join them on stage. Sweden's finest drummer Bo Skoglund was recruited for a later incarnation of the band. Not to mention original members Sten Bergman (organ, flute); Gunnar Bergsten (sax); Per Bruun (bass); Bengt ”Bengan” Dahlén (guitar), and the exceptional Erik ”Kapten” Dahlbäck, a powerhouse drummer that had an inutitive musical understanding and a force extremely important to early Fläsket Brinner.

'Power' is a key word when discussing Fläsket Brinner. They generated so much electricity during a show that they alone could have supplied energy to any Swedish mid-sized city for a week straight. In 1970 they supported their source inspiration Frank Zappa at Konserthuset, Stockholm (selections from the occasion are featured on ”Fläsket Brinner”). They simply must have blown him off the stage into the Baltic Sea and watched him drift away to the shores of Finland.

Fläsket Brinner's telepathic inter-member contact and their instinctive musical understanding made for immensely dazzling music, so intense and brilliant that its glow can never wear off. This is music for the past, for the present, for the future, for all ages to come.

Full album

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